Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.
The work, while personal, forms a lasting sense of introspection for the spectator as well.
Image courtesy of Dark Mofo
This collection of Marina Abramović’s works from 1975 to the present isn’t a retrospective. It offers a chance to consider the supremely artist-centric art as something separate to its creator.
Rather than attempting to retell the life story of its subject, Pier Paolo Pasolini, this film simply presents a day in his life – his last day, leading up to his murder at Ostia.
Make no mistake: patriarchy and capitalism are completely entwined.
Shehan Peruma/Flickr
Wednesday Martin’s book Primates of Park Avenue has stirred debate over the so-called “wife bonus”, but feminism needs to be about more than the ability to buy things.
Most of us are familiar with the National Lampoon films of the 70s and 80s. But this documentary offers insight into the magazine of the same name and the questionable dynamics of modern satire.
Sacks’ works have introduced readers to the marvellous complexities of the mind.
Mars Hill Church Seattle/Flickr
The popular neurologist revealed earlier this year that he only has months to live – a statement which casts his recently-released memoir, On the Move: A Life, in a new light.
Sport for Jove’s production of Shakespeare’s The Merchant of Venice is now onstage in Sydney.
Sport for Jove
Sport for Jove’s The Merchant of Venice is a production of ourstanding clarity, making it ideal for students or perhaps even those who simply don’t often see Shakespeare in the theatre.
Photographer unknown, studio portrait of Thomas Hinton, 1900.
National Museum of Australia
Thomas Hinton’s photographs, and what we can know about his life from other sources, give a rare glimpse into the life of someone suffering a mental illness at the turn of the 20th century.
There are metal spikes, sadistic implements of torture galore, massive machine guns mounted on the top of buggies, jeeps, motorcycles, and more leather than a Judas Priest concert. But does it work?
John Wolseley’s exhibition Heartlands and Headwaters, which opened last month at the National Gallery of Victoria, may be the most important exhibition about art and the environment to be held in Australia for a generation.
Struggle Street was no more voyeuristic than any reality TV show of the last two decades.
SBS TV
The producers of this series are doing what public service media are tasked to do – making the marginal visible, including the excluded, putting poverty on the public agenda.
Hetti Perkins has curated an exhibition of bark paintings by John Mawurndjul and Gulumbu Yunupingu that is currently on display at Tarrawarra Museum of Art. Who are these artists – and how have their lives shaped their artworks?
Dramatic in its effect, Fly away Peter is a requiem to the fallen and damaged of the first world war. Photo: Zan Wimberley.
Sydney Chamber Opera
One of the few Australian novels dealing with the first world war, David Malouf’s Fly Away Peter, has been adapted for the opera stage – and the Sydney Chamber Opera’s production is a great success.
It hovers uneasily between being a fine-art exhibition showing the diversity and sheer visual and sociocultural potency of contemporary Australian visual art practice, and an older-style ethnographic survey.
Once upon a time heroes were solitary creatures but in Age of Ultron the Avengers jostle for space on the screen. Equipped with all manner of weapons and special powers, they are odd advocates for tranquility.
David Lynch: Between Two Worlds is a major event for Brisbane.
David Lynch's Emily Screaming. 2008. GOMA
Brisbane’s Gallery of Modern Art is hosting the exhibition, David Lynch: Between Two Worlds, until June 7. It’s an opportunity to explore the connections between all the elements of Lynch’s artistic output.
Miriam Stannage, The White House [chainsaw], 1999, digital photograph.
Copyright and courtesy of the artist.
As governments gain greater access to private information there is a need to protect our freedoms. Artists can make a distinct contribution to this debate by offering alternative perspectives.
Ian North, 2015. Detail from East Antarctica 1915 no. 7. Charcoal on inkjet pigment print, c. 55x148cm.
Courtesy of the artist/ Greenaway Art Gallery.
The latest exhibition of photographer Ian North’s work, Antarctica 1915, demonstrates his uncanny ability to tap into the zeitgeist of our socially fractured and culturally fragmented times.
Trent Parke is Australia’s only Magnum photographer. His current show is an immersive multimedia display that captures and celebrates the random wonder of his environments.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne