Product placement has been allowed on UK TV for more than a decade, but changing viewer habits mean it’s only recently come into its own as a revenue stream.
Academic rigor, journalistic flair
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Once huge ratings draws, reality TV shows are facing dwindling audiences in the UK and elsewhere. Is this the end of the genre, or can it adapt to survive?
When Six Nations’ broadcasting deal with the BBC and ITV ends in 2025, there are fears the tournament could move to a subscription service.
The Post Office inquiry has just moved into its final and most consequential stage.
The Wales Broadcast Archive in Aberystwyth brings together the archives of the BBC, ITV and S4C under one roof.
When a person expresses racial bias, then that bias, conscious or not, is racism.
There are hopes the controversial MP will create a lot of drama and increase viewing figures.
Reality shows now have a duty of care to their contestants
It’s not just the drama that gets people to tune in every night
Funding cuts will force the national broadcaster to implement a root and branch reorganisation.
Instead of feeling ashamed about our guilty pleasures, it is time to understand how they really work
Complaints stated that family shows like Britain’s Got Talent shouldn’t be political. However, the problem is much more complex and sinister than simple politics
JG Farell’s novel mocks the delusions and vanity of imperial attitudes that persisted even as the empire collapsed.
Decades of bad government policies have come to a head for TV workers unable to earn during the pandemic.
Calls for journalists to rally round the UK government’s efforts to fight the pandemic are out of touch with public opinion, an in-depth study of news audiences has found.
Broadcasters have a duty to inform the public and hold politicians to account. This mission is more important now than ever before.
Research suggests that people still depend on the mainstream media for their news. It’s more important than ever that journalists earn that trust.
Political journalists must use anonymous sources with more care and not just parrot their briefings.
What started as an experiment in 1964 has become the UK’s most successful documentary franchise.
Its first new channel since 2003, does this Scottish offering reflect a genuine BBC commitment to 21st century ‘nations and regions’?
Top contributors
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Professor of Film and Media, Aberystwyth University
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Professor & Head of School for Film, Media & Performing Arts, University for the Creative Arts
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Senior Lecturer, Head of Department Design Innovation, National University of Ireland Maynooth
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Chair Professor, Cardiff School of Journalism, Media and Culture, Cardiff University
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Senior Lecturer in Media, Film and Cultural Studies, University of Sussex
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Professor, School of Journalism, Media and Culture; University Dean of Research Environment and Culture, Cardiff University
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Professor of Communications, University of Westminster
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Honorary Professor in Media Policy, Glasgow Caledonian University
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Reader in Media Studies, University of East London
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Lecturer in Criminology and Social Policy, University of Sheffield
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Director, Centre for Media and Culture, Edinburgh Napier University
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Lecturer, Biomedical and Life Sciences, Lancaster University
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Lecturer in Media, Lancaster University
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Chair in Feminist Media Studies, University of Strathclyde
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Head of the School of Journalism, Media and Culture, Cardiff University
