Whereas ‘the camera sees everything, but captures nothing,’ courtroom artists can channel the emotional highs and lows of a trial through a single image.
Academic rigor, journalistic flair
Articles on Photography
Displaying 41 - 60 of 255 articles
Binding Ties is the first Australian survey exhibition of Catherine Opie, one of the world’s leading photographic artists, at the Heide Museum of Modern Art in Melbourne.
Almost 4,000 Australian plant species have never been photographed in the field, particularly in remote corners of the country. Without a proper record, they could die out without us even knowing.
Andy Warhol and Photography: A Social Media at the Art Gallery of South Australia is a brilliant new exhibition into the little explored side of the pop master.
Smartphone cameras tend to be more advanced than their clunky, point-and-shoot predecessors. But the allure of cameras from the early 2000s reflects a broader search for meaning.
Sydneyphiles remounts Yang’s 1977 exhibition, documenting mainstream Sydney and the illegal gay party scene.
To read a “memoir” by Janet Malcolm is to enter a realm where the very idea of memoir will be treated with mistrust.
Susan Sontag’s sense of the danger of a photographic relationship to reality is not only relevant today, but positively prescient.
A new image has been taken of the whole Earth 50 years after the first - revealing noticeable changes to its surface.
Through the choice of images in publications, women and children of colour in low and middle income countries were treated with less dignity and respect than those in high income countries.
Bringing colour and emotional depth, Baunbach’s adaptation is a good companion to DeLillo’s searing novel.
In a 1959 essay, Capote noted how Avedon seemed to capture ‘every hard-earned crow’s foot’ in his subjects – perhaps not realizing that he would one day be photographed by that same unvarnished gaze.
Dora Maar was an outstanding photographer but her work has been overshadowed by the fact that she was Pablo Picasso’s partner.
John Banville calls Mrs Eckdorf in O'Neill’s Hotel, ‘an inexplicably neglected 20th-century masterpiece’. Carol Lefevre shares her fascination with William Trevor’s ‘crazed’ photographer Ivy Eckdorf.
From plane stairs that lead nowhere to paintings of empty towns, these artists depict the experience of Albanian immigrants.
As a migrant family, participating in this ritual made us feel and appear more Australian, if only to ourselves.
Blue Marble is the last photograph of the whole Earth taken by an actual human using analogue film: developed in a darkroom when the crew returned to Earth.
Balenciaga blamed the photographer for a now-pulled advert which featured sexually charged imagery of children – as an advertising expert, it’s hard to believe the furore wasn’t planned.
Under COVID travel restrictions, I couldn’t travel to Pitta Pitta Country. Instead, I travelled to Country through Google Maps.
An award-winning photographer reflects on iconic images of the late monarch and pictures a nation in mourning
Top contributors
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Associate Professor Visual Communication, University of Technology Sydney
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Associate Professor, UNSW Art & Design, UNSW Sydney
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Senior Lecturer in Visual Communication & Digital Media, RMIT University
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Senior Lecturer of art history, Griffith University
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Senior Lecturer, Visual Communication, School of Design, University of Technology Sydney
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Wesfarmers Chair of Australian History, The University of Western Australia
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Professor & Dean, School of Media and Communication, RMIT University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Ph.D. Candidate in English, The University of Texas at Austin
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Junior Research Fellow in Art History, University of Oxford
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Professor of Planetary Geosciences, The Open University
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Honorary Senior Lecturer, Australian National University
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Professor, School of Art, RMIT University
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Oak Foundation Lecturer in History of Dress and Textiles, Courtauld Institute of Art
