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Simon John James

Professor in the Department of English Studies, Durham University

My research interests are largely in the literary culture of the nineteenth- and early twentieth-century periods, especially late-Victorian and Edwardian fiction.
I have co-curated the following exhibitions at Palace Green Library: Outrageously Modern!' Avant-garde magazines 1884-1922, Robots! and Books for Boys: Heroism, Adventure & Empire at the Dawn of the First World War. I curated an exhibition of H. G. Wells books and manuscripts for the University of Illinois, Champaign-Urbana, for Wells's 150th birthday in 2016. Summer 2017 will see an exhibition on time travel at Durham's Palace Green Library.

Unsettled Accounts: Money and Narrative in the Novels of George Gissing was published by Anthem Press in 2003, the centenary year of Gissing's death. I have also published in The Gissing Journal and in four edited collections; I co-edited, with Christine Huguet, George Gissing and the Woman Question: Convention and Dissent (Ashgate, 2013), and, with Pierre Coustillas, George Gissing's Charles Dickens: A Critical Study.

In 2012, OUP published my second monograph Maps of Utopia: H. G. Wells, Modernity and the End of Culture, the first full-length study of H. G. Wells's aesthetics. I have also edited four H. G. Wells novels for Penguin. Until the 2016 issue, I am the editor of The Wellsian, the scholarly journal of the H. G. Wells Society. I have published with Nicholas Saul a collection of essays on literature and Darwin, The Evolution of Literature.

I have also completed articles on Victorian best-selling authors Marie Corelli and George du Maurier. I have edited Wells's The First Men in the Moon for World's Classics and am working on Evelyn Waugh's Decline and Fall for Oxford University Press's Collected Works of Evelyn Waugh. Current research also includes a monograph on the male bond in fin-de-siècle literature, an interdisciplinary project on time, memory and consciousness in Dickens, and an online edition of the states of The Time Machine.

During the academic years 2017-19, I was the Principal Investigator for the Durham Commission on Creativity and Education. A partnership between Arts Council England and Durham University, the Durham Commission investigated the benefits of teaching young people to be creative and to think creatively. The report can be read here
https://www.artscouncil.org.uk/sites/default/files/download-file/Durham_Commission_on_Creativity_151019_0.pdf

Experience

  • –present
    Professor of Victorian fiction, Durham University

Education

  • 1997 
    Cambridge, Phd